Joseph R.Meeker, View of the Meramec near
term “landscape” most often brings to mind views of the countryside like the
works exhibited here. In the 19th century, newly-established farms and
homesteads became prime subject matter, painted in glowing hues that continued
to extol the merits of westward expansion. But a love of the rural landscape
was not limited to early artists. As cities grew and became population centers,
rural life often became romanticized and glorified as a less-complicated, more
genuine way to live.
Lillian Thoele, Missouri Splendor, n.d. Thomas Hart Benton,Cradling Oscar Thalinger, Farm
Wheat,1939 Landscape in Winter, n.d.
painters, the artists’ colonies that sprang up in rural areas across the
country became places of escape – an aesthetic refuge from the hectic pace of
urban living. For others, their rural roots were never overcome, despite years
of international travel and training.
For the artists exhibited here, and countless others like them, there is still
merit in expressing nostalgic sentiments and local pride through portrayals of
rural geography and life. From the sway of wheat fields to the harvested bales
scattered across a rolling field, from the broad expanse of autumn trees to a
lone cardinal encompassed by a blanket of snow, all aspects of the farming calendar
appeal to the artists’ eyes as well as the viewers’.
Joe Jones, Wheat, ca.1938 Mary Hallet Gronemeyer, Missouri Landscape, ca. 1970