Get Rich by Screwing your own Company, and other American Ideals:  Horses of Mettle and Indians Without in Union Pacific

 

Levi Locke

 

In Cecil B. DeMille’s 1939 classic Union Pacific, the story of the joining of the transcontinental railroad is given the grand Hollywood treatment.  In DeMille’s world, men are real men, women are real women, and Indians are real stupid.  Sadly, Native Americans are shown as naive, stupid, and barbarous creatures possessing just enough wit to overrun a train, but not enough to be wary of the hole by which the guy in front of you was shot.  Jeff Butler (Joel McCrea) is hired to ensure that the Union Pacific rail is completed and arrives at its destination in Ogden on time. He has to face several predictable adversaries, such as two train derailments (don’t run a 10-ton machine over loose snow, kids), a banker who will stop at nothing to sabotage the project, an old Civil War army buddy Dick Allen (played by Robert Preston) who is working for the bad guys, and hostile Indians. 

            The special effects are anything but, with extensive use of green-screen projection, and it seems like very little of the movie was actually filmed outdoors.  Though the theatrics are fairly well executed by the cast, the supporting effects do little to add to the movie. 

            Barbara Stanwyck plays the hot-headed, very Irish Mollie Monahan.  The daughter of the head engineer, she has lived on the train as long as she can remember.  Though the dastardly Dick seeks her affection, she predictably falls for the heroics of Capt. Jeff as soon as he shows up.  Sound familiar?  Substitute this cast for Ben Affleck, Liv Tyler, and Bruce Willis, and you have Armageddon in the Old West.  Of course, you’d have to replace the phallic imagery that the lead lady spends her days on as well. 

            This movie would have you believe that there was a massive conspiracy specifically created to slow the progress of the railroad as much as possible, a kind of mobile organized crime.  The Man put in charge of the focused debauchery is Brian Donlevy, playing the exact same part he did Destry Rides Again, only this time he’s called Sid Campeau.  He and his outfit of card-dealing, liquor-serving, gun-toting troublemakers (i.e. cowboys) bring the vices of the Devil in tow for the rail workers, and never seem to charge for a drink. 

            The movie is solid, albeit a little lengthy, and though it completely bastardizes American history, it is entertaining to see Stanwyck play off of the two men, and to watch Jeff’s backup, Fiesta (Akim Tamiroff) slap stuff around with a bull-whip Indiana Jones style.