ENGLISH 5000: INTRODUCTION TO GRADUATE STUDY
Fall
2011 [Sec. G01, #11290] FRANK
GRADY
M
7:00-9:30 455
LUCAS
450
Lucas 516-5592
M & W 10:30-12:00, M 3:00-5:00, fgrady@umsl.edu
and by
appointment
A survey of the approaches to literary
study that have flourished in the academy over the last half-century, including
New Criticism, structuralism, semiotics, reception theory, marxism,
feminism, deconstruction, psychoanalysis, gender criticism, new historicism,
and other poststructuralist modes of address.
Attention will also be paid to topics such as the nature of literary
history, contemporary institutional and professional issues, and proper
bibliographic and textual practice.
Though much of the reading will be abstract and theoretical, we will do
our best to remain grounded through practical criticism of Bram Stoker's Dracula.
Course
documents and assignments will be posted on mygateway.umsl.edu, but the main
course page will be located at www.umsl.edu/~gradyf/F11SYLL5000.htm,
which can also be reached through my home page (www.umsl.edu/~gradyf).
Requirements: Class participation (based
on perfect attendance and regular, vigorous, and open-minded contribution to
discussion both in class and on-line; bi-weekly written responses to discussion
questions--20%); one bibliographic project (10%); two short (5-8pp.) essays
(20% and 25% each); one take-home final exam (25%). Plagiarism on papers, electronic or the
old-fashioned kind, will mean an instant F for the assignment, my undying
disapprobation, and possible disciplinary action by the university; please
refer to this
site for further details, and please please please ask me if you
have any questions.
REQUIRED TEXTS:
·
Richter,
D. The Critical Tradition: Classic Texts
and Contemporary Trends. 3rd edition. Bedford/St. Martin’s,
2007 [hence CT]
·
Bram Stoker, Dracula.
Ed. Nina Auerbach and David J. Skal. Norton Critical Edition. Norton, 1997 (1897)
·
M.H. Abrams, A Glossary of Literary Terms. Ninth
edition. Wadsworth, 2009 [recommended]
RECOMMENDED:
Possession of or regular access to a style manual, either the MLA Handbook of Writers of Research Papers
or The Chicago Manual of Style, and a
good dictionary.
Tentative
SYLLABUS:
M
AUG 22 Introduction:
Readings, Research, Rumors, Regrets
Culler, “What is Theory?” [MyGateway]
“Rethinking
the Master’s Degree in English for a New Century” [MyGateway]
Ransom, “Criticism, Inc.” [MyGateway]
Eagleton,
“Rise of English” [MyGateway]
Graff, “Taking Cover in Coverage” [MyGateway]
Guillory, from Cultural Capital,
CT 1472-84
MLA materials [on-line]
M SEP 5 Labor Day: No Class
M
SEP 12: Author
Eliot, "Tradition and the
Individual Talent," CT
537-541
F.R. Leavis, from The Great Tradition,
CT 652-58
Foucault, “What Is an Author?”, CT 904-14
Barthes, “The Death
of the Author,” CT, 874-77
Wimsatt
and Beardsley, "The Intentional
Fallacy," CT 810-18
Donaldson, “Chaucer
the Pilgrim” [on-line]
M SEP 19: Objects of Study
Brooks, from My
Credo and “Irony as a Principle of Structure,” CT 797-806
Fish,
“How to Recognize a Poem When You See One,” CT
1022-30 and “Interpreting the Variorum” [MyGateway]
Chute,
“Comics as Literature? Reading
Graphic Narrative” [MyGateway]
Culler, “What Is Literature
and Does It Matter?”
[MyGateway]
·
Richter, “Formalisms,” CT 749-60
·
Discussion questions—group 1
Saussure, Selections from Course in General Linguistics, CT 842-49
Frye, “The Archetypes of
Literature,” CT 691-701
Barthes, "The World of Wrestling" [MyGateway]; “Striptease,” “The Structuralist
Activity,” CT 869-74
Levi-Strauss, “The Structural Study of Myth,” CT 860-68
Eco, “The Myth of Superman,” CT 950-61
M OCT 3: Structure (2)
Graff,
"Determinacy/Indeterminacy" [MyGateway]
Barthes, “From Work to Text,”
CT 878-82
Derrida, “Structure, Sign and
Play in the Discourse of the Human Sciences,” CT 915-26
De Man, “Semiology
and Rhetoric,” CT 882-93
Riquelme, "Doubling and Repetition/Realism and Closure in
Dracula" [MyGateway]
Martinez, “Deconstructing the
Matrix” [MyGateway]
M OCT 10: Unconscious
[I]
Freud, from The Interpretation of Dreams, “The
Uncanny,” “Medusa’s Head,” CT 500-533
Bentley, “The Monster in the
Bedroom: Sexual Symbolism in …Dracula” [MyGateway]
Mulvey, “Visual Pleasure and Narrative Cinema,” CT 1172-80
Clover, "Her
Body/Himself" [MyGateway]
M OCT 17: Unconscious
[II]
Lacan, “The Mirror Stage as Formative of the Function of
the I…”, CT
1123-8
Foster, “’The little children
can be bitten’: A Hunger for Dracula” [MyGateway]
Žižek, "Two Ways to Avoid the Real of Desire" [MyGateway] and “Courtly Love, or, Woman as
Thing,” CT 1181-96
M OCT 24: Gender (I)
Gilbert and Gubar, from The Madwoman in the Attic, CT 1532-44
Woolf, from A
Room of One’s Own, CT 596-601,
607-10
De Beauvoir, from The Second Sex, CT 673-78
Fetterly, Introduction to The Resisting Reader, CT 1035-42
Culler, “Reading as a Woman,”
CT 1579-90
Roth, "Suddenly Sexual
Women in Bram Stoker's Dracula,"
in Dracula, 411-21
M OCT 31 Gender (II)
Craft, "'Kiss Me with Those Red Lips': Gender and
Inversion in Bram Stoker's Dracula,"
in Dracula 444-59 (full
text available through JSTOR
and on MyGateway)
Sedgwick, from Between
Men, CT 1684-87
Wittig, “One Is not Born a Woman,” CT 1637-42
Butler, from Gender
Trouble [MyGateway]
Showalter, from “Critical
Cross-Dressing…,” CT 1591-97 (plus supplements on MyGateway)
Garber, from Vested Interests [MyGateway]
M NOV 7: History (I)
Marx, from The German Ideology and
from A Contribution to the Critique of
Political Economy, CT 406-411
Althusser, from Ideology
and Ideological State Apparatuses, CT
1263-72
Jameson, from The Political Unconscious, CT 1290-1306
Moretti, "A Capital Dracula," in Dracula 431-44 [plus on-line supplement]
Grady, "Vampire
Culture" [MyGateway]
·
Richter, “Marxist
Criticism,” CT 1198-1214
·
*W NOV 9
SECOND ESSAY DUE DATE (Group 1)*
M NOV 14: History (II)
White, “The Historical Text as
Literary Artifact,” CT 1383-1397
Schaffer, "'A Wilde Desire Took Me': The
Homoerotic History of Dracula," Dracula 470-82 (full text available here and on MyGateway)
Greenblatt, Introduction to The Power of Forms and
“King Lear and Harsnett’s ‘Devil-Fiction’,” CT 1443-47
Lentricchia, from Ariel and the Police, CT
1448-52
Armstrong, “Some Call It
Fiction: On the Politics of Domesticity,” CT
1419-32
·
Richter, “New
Historicism and Cultural Studies,” CT
1320-39 [to 1332?]
·
*W NOV 16
SECOND ESSAY DUE DATE (Group A)*
M NOV 21 Thanksgiving Break: No Class
M NOV 28: Empire
Appiah, "Race" [MyGateway]
Spivak, “Three Women’s Texts and a Critique of Imperialism,”
CT 1837-49
Said, from Orientalism, CT 1801-14
Arata, "The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization," in Dracula 462-70 (full
text here , in Victorian Studies
33 [1990], and on MyGateway)
Valente, from Dracula’s
Crypt [MyGateway]
·
Richter, “Postcolonialism and Ethnic Studies,” CT 1753-74 [to 1764]
·
*T NOV 29 BIBLIOGRAPHIC PROJECT
DUE*
M DEC 5 (Links)
Curzan, “Says Who? Teaching and Questioning the Rules of Grammar” [MyGateway]
Latour, “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern” [MyGateway]
Felski, “From Literary Theory to Critical
Method” [MyGateway]
Achebe, “An Image of Africa,” CT
1783-90
Richter, “Introduction,” CT
1-22
Students with disabilities who
believe that they may need accommodations in this class are encouraged to speak
to me as soon as possible and to contact the Disability Access
Services Office in 144 Millennium Student Center at 516-6554 as soon as possible to ensure
that such accommodations are arranged in a timely fashion.