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American
Studies Writing
Types of Writing in American
Studies |
| Entrance Composition: The Advanced Placement
Timed essay |
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We expect our students to be able to write multiple
paragraph essays that incorporates their reading of primary source
material. The exam question tests their ability to work with historical
documents. Their answer should be derived mainly from the documents.
However, they may also refer to historical facts and developments
not mentioned in the documents and may assess the reliability of
the documents as historical sources where relevant to your answer.
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| “The majority of existing tests have a harmful effect
on the way students are taught to write…[encouraging]
the learning of vacuous thinking, thinking without substance…Students
then churn out essays with a “first, next, last”
structure, but they are not taught how to discern real evidence
or support for their points… Evaluators reward students
for following the structure, but not for their choice of evidence.
The result [is that] kids are passing the tests by writing drivel.”—George
Hillocks, 2002 |
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While we have to establish an initial competency rubric, we recognize
that most writing situations—both in college and out—aren’t
like this; they allow time to go back and try again; they permit,
even demand, revision. |
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Close Readings: |
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In a close reading, students connect the selected passage to the
larger idea of theme—how a particular section of text contributes
to the underlying meaning. |
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| Research Paper: 10 pages—semester paper |
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A research paper as essentially a process of comprehension, the
writer’s subjectively balancing of primary sources with the
scholarly interpretations. |
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| The Research Journal 5-10 pages |
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Students must engage in a dialogue with the sources. This is the
place where students take chances and the teachers have the opportunity
to respond to our students writing in process and to model meta-cognitive
strategies and research methodologies. |
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| Digital Compositions |
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These digital compositions must be viewed as "chapters"
in the 1818 course digital sourcebook. They must be argumentative
and reflect superior research, analysis and citation. Animation contributes
to the research by telling a story, by showing the difference between
one moment and another, a previous condition compared with the result
of an independent action. |
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| Collaborative Compositions |
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This means the students are working together jointly to accomplish
a common intellectual purpose in a manner superior to what might have
been accomplished working alone. |
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| Creative Writing |
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We try to engage our students in a number of creative writing assignments,
including Civil War Journals, poetry, short stories and other creative
short pieces. Many of our students have been published, won awards,
and some even been featured reading their works on the radio. |
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Student Centered Learning |
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With a good webquest students have direction and yet
freedom. We have seen this all year long in projects from the Puritans,
(New York, New York), The West, etc…In addition students have
individual projects including both first and second semester term
papers, 5-10 pages in length in MLA style. Classroom debates over
issues that have both a social and moral context are a frequent occurrence.
Both role-plays and simulations are part and parcel of every semester.
Our lectures are always in a style that provides opportunities for
student input and more importantly student disagreement. It is important
for us to allow students to dialogue with us as to their truth of
the matter. |
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How We Conference Students
in American Studies |
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Experienced writers play with their ideas. They socialize
by writing multiple drafts and seeking feedback. Teachers comment
on drafts, use peer reviews and collaboration in order to get students
into the habit of experienced writers. We want our students to view
writing as a recursive, rather than a one time experience. Students
need to understand that revision means rethinking their argument
and balancing their evidence in the light of new understanding.
Students need to see writing as a social process and not as a solitary
experience. They need to seek out a circle of critical friends,
a community of writers who can give encouragement and significant
feedback. |
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So in our American Studies curricular design we ask them to write
(play) a lot and view their writing as an evolving, everyday practice.
Since the American Studies is an advanced college credit level course,
the writing is mostly argumentative. We build in a time for feedback
and for socializing the process of writing, reading and research.
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Initially we focus on low pressure activities, such as brainstorming
or creating timelines or responding to primary sources. We include
time for lots of early, “crazy” drafts. Then we help
the students to narrow their topic and balancing evidence and argument.
We place a premium on our students being responsible of outside
sources, and we help them evaluate sources and then integrate evidence
into their research perspective.
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We set high expectations and focus the majority of our feedback
(both written and spoken) on higher level thinking priorities. We
set up a regular schedule of individual conferencing, peer reviews,
and collaboration. Short papers (2-3 pages) are usually experiments
in critical thinking; for example we might expect a one page synopsis
and two pages of their own ideas. Or we might expect a quick multi-media
presentation on the Beats or on the Harlem Renaissance, or on the
targeting of Dresden. On longer papers, we give our students time
to change their minds later.
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These digital compositions must be viewed as "chapters"
in the 1818 course digital sourcebook. They must be argumentative
and reflect superior research, analysis and citation. The students
are working together jointly to accomplish a common intellectual purpose
in a manner superior to what might have been accomplished working
alone. |
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One of our great experiences with the SLU 1818 program
has been our annual field trip to the Pius Library to learn research methodology
and our presentation by Sue Mendelsohn, the Writing Center Coordinator
at St. Louis University, on the habits of experienced writers. (See the
handout.)
SLU Preservice: Writing Across the Curriculum
| Based upon Nancy Sommers
“Revision Strategies of Student Writers and Experienced Adult
Writers,” one might conclude the following principles of composition: |
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Writing is rewriting; and revision is rethinking |
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Writing is a Social Process |
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Teachers help their students best by giving feedback and concentrating
critical thinking--on a student's argument and ideas and on higher
level thinking priorities. |
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Teachers should try to create in their classrooms, and beyond, a
community of writers. |
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College Level Expectations, as Sue Mendelsohn suggests, is that
the student fashion “a complex argument presented in simple
language.” |
Grading:
Treat the writing as in-process rather than a fixed product.
Don’t encourage obsession with correctness but do encourage
the habits of good writers.
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Evaluation and Assessment
of Contemporary Compositions |
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Assessment is a strange thing. For years I’ve
taught this Gatsby Magazine project where the students created a
magazine, first on paper and now as an in-house website. At CBC
every kid has a laptop and the whole campus is wired. So, naturally,
we have encouraged the students to include multimedia---music, film,
and flash into their projects. However, while the underlying composition
principles are the same, there are still problems when you try to
grade group work, or work of various skills. |
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Collaborative, multi-modal compositions create a persistent challenge
for assessing of student work. How can you effectively gauge student
involvement and learning in collaborative groups, when the amount
of writing, editing, managing is sometime uneven or hard to readily
evaluate? Sometimes self-grading helps assess student learning. Often,
the teacher needs to learn how to use different assessment criteria
across the various projects (e.g., essays, web design, multimedia
production, discussion board management and sound effects), and how
both individuals and small groups could be accountable for their learning.
The courageous teacher eventually devises ways to address these assessments
challenges, employing informal assessment strategies (e.g., checklists,
note-taking, observation and conferencing) as well as formal strategies
(e.g., grades for completed projects). Yet, teachers may always remain
concerned about whether he/she was adequately gauging some students’
work. |
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My advice is to hold up high standards, yet be flexible in your
grading. Often it will take several years for teachers to become truly
comfortable in their evaluations of these projects. |
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Look for unexpected successes. |
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Focus instruction on student inquiry and critical thinking skills
by responding to students individual responsibilities in process and
carefully modeling critical thinking skills at every opportunity. |
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It has been my experience that, even when student production has
appeared uneven, there is great promise in establishing a set of meta-cognitive
behaviors that have proven to develop better writers. Teachers often
see PowerPoint presentations as the end of the learning experience,
when they are really first drafts to a wider audience. |
The Future |
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In American Studies, we are interested in making social networking
the center of our classroom in order to give our students a global
voice and in order to create a wider community of writers and readers
for our students. We now have a wiki where we can present, in a safe
environment, our work and comment in a supportive, academic space.
Hopefully, some of the other 1818 schools would like to join us. |
Links and Resources:
| Digital Storytelling |
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| Equipment |
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• Access to personal computers with Windows XP operating system
(and therefore, MovieMaker software) • Digital cameras
• Access to the World Wide Web • Microphones
• Computer Video Projector (for presenting final projects)
• DVD burner (for creating movies to take home) •
Software for streaming video through Web (i.e, Quicktime) -- if you
consider publishing your movies on a school website (otherwise, not
really necessary) • Scanner |
| Web Sites that Allow Legal Access to Images,
Music, etc… |
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• Creative Commons
is this site provides links to a host of sites and organizations that
have agreed to some leniency of copyright protection. •
Discovery
School is this site is geared towards educators and students,
with free material that is intended to be used for school projects.
• The
Free Site is this site is loaded with free web-based things, and
this link connects you to their clip art index. • Free
Kids Music -- this site has children's music available from artists
who have agreed to share their work for free for children and educators.
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| This site (and all the information it contains - except where specified)
is provided by Gary
Ryan. |
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Download Course Syllabi
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