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American Studies Writing

Types of Writing in American Studies
Entrance Composition: The Advanced Placement Timed essay
 

We expect our students to be able to write multiple paragraph essays that incorporates their reading of primary source material. The exam question tests their ability to work with historical documents. Their answer should be derived mainly from the documents. However, they may also refer to historical facts and developments not mentioned in the documents and may assess the reliability of the documents as historical sources where relevant to your answer.

 
“The majority of existing tests have a harmful effect on the way students are taught to write…[encouraging] the learning of vacuous thinking, thinking without substance…Students then churn out essays with a “first, next, last” structure, but they are not taught how to discern real evidence or support for their points… Evaluators reward students for following the structure, but not for their choice of evidence. The result [is that] kids are passing the tests by writing drivel.”—George Hillocks, 2002
  While we have to establish an initial competency rubric, we recognize that most writing situations—both in college and out—aren’t like this; they allow time to go back and try again; they permit, even demand, revision.
 

 

Close Readings:

  In a close reading, students connect the selected passage to the larger idea of theme—how a particular section of text contributes to the underlying meaning.
   
Research Paper: 10 pages—semester paper
  A research paper as essentially a process of comprehension, the writer’s subjectively balancing of primary sources with the scholarly interpretations.
   
The Research Journal 5-10 pages
  Students must engage in a dialogue with the sources. This is the place where students take chances and the teachers have the opportunity to respond to our students writing in process and to model meta-cognitive strategies and research methodologies.
   
Digital Compositions
  These digital compositions must be viewed as "chapters" in the 1818 course digital sourcebook. They must be argumentative and reflect superior research, analysis and citation. Animation contributes to the research by telling a story, by showing the difference between one moment and another, a previous condition compared with the result of an independent action.
   
Collaborative Compositions
  This means the students are working together jointly to accomplish a common intellectual purpose in a manner superior to what might have been accomplished working alone.
   
Creative Writing
  We try to engage our students in a number of creative writing assignments, including Civil War Journals, poetry, short stories and other creative short pieces. Many of our students have been published, won awards, and some even been featured reading their works on the radio.
 

 

Student Centered Learning
  With a good webquest students have direction and yet freedom. We have seen this all year long in projects from the Puritans, (New York, New York), The West, etc…In addition students have individual projects including both first and second semester term papers, 5-10 pages in length in MLA style. Classroom debates over issues that have both a social and moral context are a frequent occurrence. Both role-plays and simulations are part and parcel of every semester. Our lectures are always in a style that provides opportunities for student input and more importantly student disagreement. It is important for us to allow students to dialogue with us as to their truth of the matter.
   

 

How We Conference Students in American Studies
 

Experienced writers play with their ideas. They socialize by writing multiple drafts and seeking feedback. Teachers comment on drafts, use peer reviews and collaboration in order to get students into the habit of experienced writers. We want our students to view writing as a recursive, rather than a one time experience. Students need to understand that revision means rethinking their argument and balancing their evidence in the light of new understanding. Students need to see writing as a social process and not as a solitary experience. They need to seek out a circle of critical friends, a community of writers who can give encouragement and significant feedback.

 

So in our American Studies curricular design we ask them to write (play) a lot and view their writing as an evolving, everyday practice. Since the American Studies is an advanced college credit level course, the writing is mostly argumentative. We build in a time for feedback and for socializing the process of writing, reading and research.

 

 

Initially we focus on low pressure activities, such as brainstorming or creating timelines or responding to primary sources. We include time for lots of early, “crazy” drafts. Then we help the students to narrow their topic and balancing evidence and argument. We place a premium on our students being responsible of outside sources, and we help them evaluate sources and then integrate evidence into their research perspective.

 

 

We set high expectations and focus the majority of our feedback (both written and spoken) on higher level thinking priorities. We set up a regular schedule of individual conferencing, peer reviews, and collaboration. Short papers (2-3 pages) are usually experiments in critical thinking; for example we might expect a one page synopsis and two pages of their own ideas. Or we might expect a quick multi-media presentation on the Beats or on the Harlem Renaissance, or on the targeting of Dresden. On longer papers, we give our students time to change their minds later.

 

  These digital compositions must be viewed as "chapters" in the 1818 course digital sourcebook. They must be argumentative and reflect superior research, analysis and citation. The students are working together jointly to accomplish a common intellectual purpose in a manner superior to what might have been accomplished working alone.
 

One of our great experiences with the SLU 1818 program has been our annual field trip to the Pius Library to learn research methodology and our presentation by Sue Mendelsohn, the Writing Center Coordinator at St. Louis University, on the habits of experienced writers. (See the handout.)

SLU Preservice: Writing Across the Curriculum

Based upon Nancy Sommers “Revision Strategies of Student Writers and Experienced Adult Writers,” one might conclude the following principles of composition:
  Writing is rewriting; and revision is rethinking
  Writing is a Social Process
  Teachers help their students best by giving feedback and concentrating critical thinking--on a student's argument and ideas and on higher level thinking priorities.
  Teachers should try to create in their classrooms, and beyond, a community of writers.
  College Level Expectations, as Sue Mendelsohn suggests, is that the student fashion “a complex argument presented in simple language.”
Grading:
Treat the writing as in-process rather than a fixed product.
Don’t encourage obsession with correctness but do encourage the habits of good writers.

 

Evaluation and Assessment of Contemporary Compositions
 

Assessment is a strange thing. For years I’ve taught this Gatsby Magazine project where the students created a magazine, first on paper and now as an in-house website. At CBC every kid has a laptop and the whole campus is wired. So, naturally, we have encouraged the students to include multimedia---music, film, and flash into their projects. However, while the underlying composition principles are the same, there are still problems when you try to grade group work, or work of various skills.

   
  Collaborative, multi-modal compositions create a persistent challenge for assessing of student work. How can you effectively gauge student involvement and learning in collaborative groups, when the amount of writing, editing, managing is sometime uneven or hard to readily evaluate? Sometimes self-grading helps assess student learning. Often, the teacher needs to learn how to use different assessment criteria across the various projects (e.g., essays, web design, multimedia production, discussion board management and sound effects), and how both individuals and small groups could be accountable for their learning. The courageous teacher eventually devises ways to address these assessments challenges, employing informal assessment strategies (e.g., checklists, note-taking, observation and conferencing) as well as formal strategies (e.g., grades for completed projects). Yet, teachers may always remain concerned about whether he/she was adequately gauging some students’ work.
   
1. My advice is to hold up high standards, yet be flexible in your grading. Often it will take several years for teachers to become truly comfortable in their evaluations of these projects.
2. Look for unexpected successes.
3. Focus instruction on student inquiry and critical thinking skills by responding to students individual responsibilities in process and carefully modeling critical thinking skills at every opportunity.
   
  It has been my experience that, even when student production has appeared uneven, there is great promise in establishing a set of meta-cognitive behaviors that have proven to develop better writers. Teachers often see PowerPoint presentations as the end of the learning experience, when they are really first drafts to a wider audience.

 

The Future
   
  In American Studies, we are interested in making social networking the center of our classroom in order to give our students a global voice and in order to create a wider community of writers and readers for our students. We now have a wiki where we can present, in a safe environment, our work and comment in a supportive, academic space. Hopefully, some of the other 1818 schools would like to join us.

 

 

Links and Resources:

Presentation Downloads
  Student Presentations and Copyrights
  Digital Compositions--Collaborative, Multimedia Research Rubric
  Dresden Assignment
  Research Journal

Digital Storytelling
 
Equipment
  • Access to personal computers with Windows XP operating system (and therefore, MovieMaker software)
• Digital cameras
• Access to the World Wide Web
• Microphones
• Computer Video Projector (for presenting final projects)
• DVD burner (for creating movies to take home)
• Software for streaming video through Web (i.e, Quicktime) -- if you consider publishing your movies on a school website (otherwise, not really necessary)
• Scanner
Web Sites that Allow Legal Access to Images, Music, etc…
  Creative Commons is this site provides links to a host of sites and organizations that have agreed to some leniency of copyright protection.
Discovery School is this site is geared towards educators and students, with free material that is intended to be used for school projects.
The Free Site is this site is loaded with free web-based things, and this link connects you to their clip art index.
Free Kids Music -- this site has children's music available from artists who have agreed to share their work for free for children and educators.


This site (and all the information it contains - except where specified) is provided by Gary Ryan.

 

 
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