THE DETECTIVE STORY WEBQUEST
Introduction
This lesson will expose students to one of the greatest American
films and film genre, the Hard Boiled Detective movies, that
shaped the landscape of American film today. Through the classic
Hard Boiled Detective film The Big Sleep, students will
explore the historical and social impact of the 1930's and 1940's.
These learners will explore the impact of Humphrey Bogart and
historical perceptions that have shaped popular culture in the
20th Century.
Subject Areas
American Studies: American and Film History
Language Arts: writing, reading and presenting research
Technology: computers, Internet, and media literacy
Students will be able to:
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- Learn the influences and inspirations of the Hard Boiled
Detective novels and films
- Describe the plot, characters, and historical context of
The Big Sleep
- Research and understand the social climate and the novels
and movies of post WWII America
- Investigate the stereotypes of Hard Boiled Detective films
and how it was representative of it's time
- Forge strategies for deconstructing and analyzing stereotypes
in media
- Identify other artists and directors in the Hard Boiled genre
- Understand film language
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TASK: To create a visual
presentation using Microsoft PowerPoint, or other multimedia
programs of images of the Hard Boiled Detective Stories of the
1930s and 1940s, incorporating music, prose, archival photography,
illustrations and film.
Work in groups of three. First, find definitions for the vocabulary
list. Then go on the Hard Boiled Scavenger Hunt and collect all
the information. Finally, answer the Study Questions. Some of
these questions will require a paragraph to answer.
Process:
:
1. Work in groups of three. Use the websites below to help you
research Hard Boiled Detective Fiction from the 1930a and 1940s.
2. First, find definitions for the vocabulary list.
3. Then go on the Hard Boiled Scavenger Hunt and collect all
the background information.
4. Finally, answer the Study Questions. Some of these questions
will require a paragraph to answer.
Time Frame: Expect one week to complete this task.
The final due date for all multimedia presentations is March
30th.
General
Terms:
Hardboiled crime fiction refers to a literary style
pioneered by Dashiell Hammett in the late 1920s and refined by
Raymond Chandler beginning in the late 1930s. Hardboiled fiction,
most commonly associated with detective stories, is distinguished
by an unsentimental portrayal of crime, violence, and sex. From
its earliest days, hardboiled fiction was published in and closely
associated with so-called pulp magazines, most famously Black
Mask; later, many hardboiled novels were published by houses
specializing in paperback originals, also colloquially known
as "pulps." Consequently, "pulp fiction"
is often used as a synonym for hardboiled crime fiction. In the
United States, the original hardboiled style has been emulated
by innumerable writers, notably including Mickey Spillane, Ross
Macdonald, and John D. MacDonald.
The hardboiled detective epitomized by Hammet's Sam Spade and
Chandler's Philip Marlowe not only solves mysteries, like his
"softer" counterparts, he (and often these days, she)
confronts danger and engages in violence on a regular basis.
The hardboiled detective also has a characteristically tough
attitude-in fact, Spade and Marlowe are two of the primary fictional
models for the attitude that has come to be known as "attitude":
cool, cocky, flippant.

General Information
on Hard Boiled Detectives Resources
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Vocabulary |
Definitions |
Hard Boiled
Film Noir
Genre
Femme Fatale
Film Noir Light Techniques
Use of Vernacular
Voice Over
Flash Back
"Gumshoe"
Hays Office
Censorship
Crime Dialogue
Pulp Characters
Sardonic Comedies
Film Noir |
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Hard
Boiled Scavenger Hunt:
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- Where is Bullock's Department Store?
- On what street is the Fulwiler building? How would one get
there from Marlowe's apartment?
- What are the directions from Marlowe's apartment to Geiger's
Rare Book store?
- Find a picture of Carmen from the movie, The Big Sleep.
Paste it into this document.
- Find a Black Mask magazine cover featuring a story by Raymond
Chandler. Paste it into this document.
- In what other major films has Humphrey Bogart been involved?
- Name another film in which Bogart starred with Bacall.
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Study
Questions:
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- What other movies are similar to "The Big Sleep?"
- Look at the list of novels in The History of Hard Boiled
Fiction, and list any of the ones you've seen.
- How did "The Big Sleep" reflect the 1930s and 1940s?
(Hint: Crime)
- What was special about the dialogue they used?
- What are the characteristics of the Hard Boiled Detective
protagonist?
- Give at least three examples of vernacular used in this type
of movie and novel.
- What is the "detective's code" as expressed by
Philip Marlowe?
- Dialogue is one of the distinguishing marks of the hare-boiled
novel.
- What examples of "tough guy dialogue" can you recall
from the movie?
- Listen to an episode of Guy Noir from A Prairie Home Companion.
What use of the Hard Boiled vernacular is used in this piece?
- What obvious symbols are used to get the message across that
Marlowe is a moral knight traveling through the grim morally
corrupt modern city?
- In your opinion, what was the most important scene, character,
or event?
- Did the characters trust each other? For example, does Marlowe
really trust Vivian? Give an example to support your opinion.
- Do you think any people, besides Marlowe, are good or bad?
- Is there a moral to this story?
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Hard Boiled Novel History |
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1929
Dashiell Hammett: Red Harvest, The Dain Curse
W.R. Burnett: Little Caesar
Ellery Queen: The Roman Hat Mystery
1930
Dashiell Hammett: The Maltese Falcon
1931
Dashiell Hammett: The Glass Key
William Faulkner: Sanctuary
1932
Erskine Caldwell: Tobacco Road
William Faulkner: Light in August
Graham Greene: Stamboul Train (a.k.a Orient Express)
1933:
Nathanael West: Miss Lonelyhearts
Erle Stanley Gardner: The Case of the Velvet Claw
1934
James M. Cain: The Postman Always Rings Twice
Dashiell Hammett: The Thin Man
1935
Horace McCoy: They Shoot Horses, Don't They?
John O'Hara: Butterfield 8
John Steinbeck: Tortilla Flat
1936
James M. Cain: Double Indemnity
Graham Greene: A Gun for Sale (a.k.a. This Gun for
Hire)
1938
Gerald Kersh: Night and the City
1939
Raymond Chandler: The Big Sleep
Graham Greene: Confidential Agent
John Steinbeck: The Grapes of Wrath
1940
Raymond Chandler: Farewell, My Lovely
W.R. Burnett: High Sierra
Ernest Hemingway: For Whom the Bell Tolls
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1941
James M. Cain: Mildred Pierce
1942
Raymond Chandler: The High Window
James Gunn: Deadlier Than the Male
1943
Raymond Chandler: The Lady in the Lake
Vera Caspary: Laura
1947
Mickey Spillane: I, the Jury
Nelson Algren: The Neon Wilderness
1949
W.R. Burnett: The Asphalt Jungle
Patricia Highsmith: Strangers on a Train
Nelson Algren: The Man with the Golden Arm
Graham Greene: The Third Man
1950
Ross Macdonald: The Drowning Pool
Mickey Spillane: My Gun is Quick, Vengeance is Mine
1953
Raymond Chandler: The Long Goodbye
William Burroughs: Junkie
Ian Fleming: Casino Royale
1954
Evan Hunter: The Blackboard Jungle
Ian Fleming: Live and Let Die
1955
Patricia Highsmith: The Talented Mr. Ripley
1956
David Goodis: Down There (a.k.a. Shoot the Piano
Player)
Nelson Algren: A Walk on the Wild Side
1957
Ian Fleming: From Russia with Love
1958
Roy Huggins: 77 Sunset Strip
Robert Traver: Anatomy of a Murder
Ian Fleming: Dr. No
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Multimedia Composition Scoring
Rubric: Scoring Guidelines
These digital compositions must be viewed as "chapters"
in the 1818 course digital sourcebook. They must be argumentative
and reflect superior research, analysis and citation. Animation
tells a story by moving, showing the difference between one moment
and another, a previous condition compared with the result of
an independent action.
Multimedia.
| The integration of media objects such as text,
graphics, video, animation, and sound to represent and convey
information |
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A |
Students have used multimedia in creative and effective ways
that exploit the particular strengths of the chosen format. All
elements make a contribution.
There are few technical problems, and none of a serious nature.
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C |
Presentation uses 2 or more media.
There are some technical problems, but the viewer is able to
follow the presentation with few difficulties. |
Collaboration
| Working together jointly to accomplish a common
intellectual purpose in a manner superior to what might have
been accomplished working alone. |
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A |
Students were a very effective team.
Division of responsibilities capitalized on the strengths of
each team member. The final product was shaped by all members
and represents something that would not have been possible to
accomplish working alone. |
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C |
Students worked together on the
project as a team with defined roles to play. Most members fulfilled
their responsibilities. |
Content
| The topics, ideas, concepts, knowledge, and
opinions that constitute the substance of the presentation. |
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A |
Reflects broad research and application
of critical thinking skills; shows notable insight or understanding
of the topic; compels the audience's attention. |
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C |
The project presents information
in an accurate and organized manner that can be understood by
the intended audience. There is a focus that is maintained throughout
the piece. |
Thesis
| The main ability is to provide effective evidence
in support of a thesis. An academic argument is an interweaving
of both evidence and interpretation, |
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A |
Establishes a clear thesis statement,
which includes a comment or argument about the subject that someone
could reasonably disagree with. The presentation justifies
inferences and opinions with specific examples and analysis. |
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C |
Presents a generalized statement
about the subject that doesn't produce an argument. The project
merely reports. There is some support for scholarly comments,
yet many assumptions are left unexplained. Essentially, the presentation
lacks interpretive connectedness. |
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