English 4950: Cool Old Movies
Spring 2019
Film Genre Group Work Assignment (20%)
This
assignment has two aims: first, to supplement the whole class's range of
reference concerning the era we’re studying, and second to give you additional
practice in writing concisely (but thoroughly) about film.
For this project
you’ll watch three and review two of the
movies in the genre assigned to your group.
·
Movies can be found in the “Media Gallery” section of
Canvas, collected into playlists under each genre’s name
·
Each group of n
students will have n+1 films
available (with one exception I’ll talk about in class), so your first step
should be to negotiate amongt yourselves to make sure that each movie in the
collection will be covered by at least one review.
Your work
will be shared on the Canvas “Pages” section, on individual Pages.
·
To upload your work to Canvas, click the “Pages” tab
in the left column. This should take you
to the “Genre Work Gateway” page, where there is a list of genres. Click the one you’ve been assigned and you’ll
be taken to a list of names; click on your name and you’ll be at your
page. Click “Edit” on the right to begin
uploading/adding material. Feel free to
rename / enhance /
decorate your page, but make sure it remains identifiably yours.
What
your page should ultimately include:
·
A capsule summary of each of your
three films
o
This should be a concise, 30-40 word
account of the plot—one or two pithy sentences of the sort that would appear in
a newspaper summary or a film guide
o
It should follow this format: Title
(date, genre): synopsis. For example:
Sullivan’s Travels (1942,
comedy): In order to gather material for a new film, a prominent film director
disguises himself as a hobo and hits the road, where he finds romance,
adventure, and danger.
·
600-word reviews of two of your films
o
600 words
≈ one single-spaced typed page
o
You should
try not only to give a more complete summary of the film's plot but also to
offer some observations about its relevance to our generic or cultural or
theoretical concerns in class
o
Remember
that reviews traditionally take an angle on their subject: they were invented
to help patrons decide whether or not a particular movie was worth their time
and money.
·
One still frame or one short clip
(<1 min) that illustrates some key feature of the genre, with a short
caption describing why it contributes to our understanding of that type of
film.
o
Screen captures should be sufficient
for frame illustrations; the clipping process is something I’m still looking
into—I’m not sure how easy it is on Canvas.
o
Many of the illustrations in the
Maltby book, Hollywood Cinema, can
serve as examples here
o
Make sure that everyone in your group
posts a different frame or scene
·
Optional, if you can’t resist:
additional trivia about your films--its stars, directors, production history;
its connections to other movies we’re studying. This kind of material can be found on the Internet Movie Database (www.imdb.com) or
the Turner Classic Movies website (www.tcm.com).
Other considerations
·
You should plan to have your work
completed by the class meeting for which it has been assigned.
·
You will be expected to be able to
contribute to the class discussions on that day, based on your advanced
expertise in the genre
·
I’m happy to look over reviews and
other materials in advance
WESTERNS |
|
ROMANCE |
MELODRAMA |
|
SERIES |
|
FILM NOIR |
|
WAR |
|
CAPRA |
|
W FEB 20 |
W FEB 27 |
M MAR 4 |
W MAR 13 |
W MAR 20 |
W APR 17 |
W APR 24 |
||||||
|
||||||||||||
Dragotto |
Burkemper |
Burnes |
DeBoer |
Bowles |
Davis |
Barringer |
||||||
Miller |
Chaney |
Chowning |
Hines |
Brown-Schnurr |
Dickens |
Bowen |
||||||
Redel |
Cloutier |
Noblitt |
Presley |
Dubois |
Gibbs |
White |
||||||
Struckhoff |
Weaver |
Waller |
Riordan |
Graham |
Johnson |
Williams,C |
||||||
Williams,I |
Wamhoff |
Hardy |
Loomer |