ENGLISH 4620                                         THIRD ESSAY ASSIGNMENT

GRADY                                                               SPRING 2013

 

                            Essays should take up one of the topics below (double-spaced/one-inch margins/12-point type) and be five to six pages (±1600 words) in length. Be sure to refer as helpfully and specifically as possible to the texts upon which you're basing your argument--and be sure to have an argument or thesis. Your essay should have an original title, and it should not use the word “portray.”  Essays are due on FRIDAY, APRIL 26; electronic submissions are strongly preferred (fgrady@umsl.edu)

               

1. Design your own topic, of suitable specificity and sophistication, about something that interests you in the Canterbury Tales we've read.  A brief consultation with the instructor is required for this option; talking with one another is recommended, too, and I’d like to receive a paragraph or email describing your topic by Monday, April 22.

 

2. "By drawing narrators from the genres that define them, Chaucer makes his reassessments of those genres a dramatic process.  Like the Wife of Bath berating antifeminist authors and the Squire forecasting the adventures of noble youths, the Franklin speaks a literature by which he has been configured" (Susan Crane, Gender and Romance in Chaucer's Canterbury Tales [1994], p.107).  Discuss this dramatic process--that is, the effect Chaucer achieves by producing these potentially self-satirizing stories--with reference to either the Knight's Tale or the Wife of Bath's Prologue or the Summoner’s Tale.

 

3. Use one of the critical remarks on the Clerk’s Tale [http://www.umsl.edu/~gradyf/chaucer/Petrarch.htm] or the Franklin’s Tale [http://www.umsl.edu/~gradyf/chaucer/franklincrit.htm] as an essay prompt (but let me know in advance which one you’ve chosen).

 

4. Here's an alternate way of looking at gender issues in the Canterbury Tales: is it possible to describe what Chaucer thinks of men?  Does he think of them categorically or in terms of their typical traits or conventional behaviors?

 

5. Reread John Gower's "Tale of Florent" from his Confessio Amantis.  Then write an essay comparing the ways that Chaucer and his friend and fellow poet Gower treat the "loathly lady" tale.  (NB: Compare-and-contrast topics need a thesis too!)

 

6. Write an essay about the interruptions that take place in the course of the storytelling contest (or, start writing this essay now, and wait to finish it until after we’ve discussed the interruption at the end of the Monk’s Tale).  Who gets to interrupt, why do they do it, and are there different kinds of interruption (e.g., authorized and unauthorized)?

 

7. The Canterbury Tales may be fragmentary and incomplete, but the fragments themselves often have a certain thematic unity.  Write an essay about the common themes, characters, plot elements, images, or other devices that help to unify Fragment III (Wife of Bath, Friar, Summoner).

 

8. The Wife of Bath pays lot of attention to bodies, both women's and men's, in her Prologue and Tale.  Why is that?  Discuss the importance of the body--its various functions, the natural and unnatural changes it can undergo--as a theme in her performance.  Alternatively, compare the way the Wife and the Merchant deal with the various bodies in their narratives.

 

9. Werk al by conseil, and thou shalt nat rewe,” says Nicholas to John in the Miller’s Tale—in a scene in which he is clearly trying to put one over on the poor old man. Discuss the fictions of advice and scenes of advising we’ve seen in the Tales, in the Wife of Bath’s Tale, the Clerk’s Tale, and elsewhere (Knight? Summoner? Merchant?).  Does Chaucer seem to have a particular “take” on the giving (and receiving) of counsel?

 

10. Kittredge agues in "Chaucer's Discussion of Marriage" the Franklin's Tale provides a suitable conclusion and reconciliation of the issues of marriage that Chaucer writes about in the Wife of Bath's, Clerk's, Merchant's and Franklin's Tales (which Kittredge called the "marriage group").  Several topics revolving around this issue suggest themselves:

(a) Is Kittredge right to group these tales together?  Is there a "marriage group" in the Tales--and what tales should it include?

(b) Do you agree with Kittredge that the Franklin's Tale resolves the problems that arise in the other tales of marriage?

            (c) If we accept the Ellesmere/Riverside order of the Canterbury Tales as "Chaucerian", how would you describe the importance of the Wife of Bath's performance in the sequence of the tales we've read so far?

            (d) Write an essay on any other aspect of the marriage theme in the Tales we've read so far.

 

11.  What happens in the Canterbury Tales when men look at women who don’t know, at first, that they’re being looked at?