English 5250: Chaucer and Gower                         Fall 2005

Discussion questions for 9/28/05

 

Below you’ll find three remarks by three different critics discussing the Legend of Good Women.  Using any one of them as a prompt, write a couple of paragraphs about Chaucer’s poem and your two weeks’ work on it.

 

 

 

That is, the Legend's ostensible subject, love, is not its real subject at all.  Rather, the poem was written to set forth some of Chaucer's basic views about literature: its sources, its usefulness, its forms, its audiences, and its capacity to represent Christian truth.

 

Lisa Kiser, Telling Classical Tales: Chaucer and the Legend of Good Women (Cornell, 1983), p.9.

 

 

In the event he enacts his revenge upon authority in a number of ways: by radically deforming his auctores, by unmasking the mysogynistic violence that underwrites Alceste's version of feminine virtue, by simply refusing to fulfill his commission.  But the form of resistance of most interest to us now is the irony with which he treats the cult of "fyn lovynge": subject to9 the intransigent and uncomprehending demands of a gentil audience, the poet in turn subjects gentilesse to a relentless critique....(239) In the world of the legends gentilesse designates not nobility of spirit but social advantage, a superiority of place that unprincipled men use to victimize grasping women.

 

Lee Patterson, Chaucer and the Subject of History (Wisonsin, 1991), pp. 238-39.

 

 

Cupid gives voice to the essential dilemma of the narrator after TC: if one begins to become aware, as he does via the women in his audience, that authoritative tradition proceeds by defaming women, how would one be able to write a poem or construct a literary tradition that is not   misogynistic in theme and/or structure?  Alceste's representation in the Prologue suggests that the problem can be articualted; however, a positive solution is far from imminent.

 

Carolyn Dinshaw, Chaucer's Sexual Poetics (Wisonsin, 1989), p.68.