The Historical Position of Literary
Darwinism
“Literature” depends on literacy, a very
recent acquisition in human evolutionary history, so recent that it cannot plausibly
be considered an adaptation. But people in all non-literate cultures use
language, tell stories, and play with words in creative and evocative ways. Written
language is just a cultural technology extending those universal human
aptitudes. Literature and its oral antecedents are thus part of the basic profile
of “human nature.” Over the past fifteen years or so, literary scholars in a
small but now rapidly growing group have argued that producing an adequate
theory of literature requires an evolutionary conception of human nature. By
assimilating evolutionary social science, these “literary Darwinists” aim at
forming a new paradigm for literary study. Not surprisingly, that grand
ambition has often met with a skeptical response. “There have been previous
efforts to establish a scientifically based criticism—Marxism, psychoanalysis,
structuralism. All these efforts have failed. Why would your effort be any
different?” Not a bad question, but we have a good answer. This effort is
different because the historical moment is ripe. We now have, for the first
time, an empirically grounded psychology that is sufficiently robust to account
for the products of the human imagination.
Sciences do not typically spring full blown
from the mind of a single originator. Often, some creative thinker will
assimilate the efforts of predecessors, synthesize them, correct them, and add
some crucial conceptual component that makes all the pieces fit in a functional
way. When that happens, a paradigm forms. The current
effort to integrate literary study with the evolutionary social sciences can be
located within a nested series of three previous paradigm formations, each
serving as a necessary precondition for the one that followed: Charles Lyell’s paradigm
in geology in the early nineteenth century; Charles Darwin’s in evolutionary
biology later in the century; and the still-emerging paradigm in evolutionary
social science.
In the decades immediately preceding
Lyell’s publication of Principles of Geology
(1830-33), geologists had become so disgusted with grand and fanciful speculation
that they had renounced general theories and devoted themselves instead to
producing an accurate map of geological strata. Lyell assimilated these efforts
and introduced “uniformitarianism,” the idea that
geological features result from the accumulated effects, often minute, of the geological
forces visibly at work all around us. This idea fundamentally shaped
Until the past few years, three theoretical
deficiencies hampered efforts to form a paradigm in evolutionary social science.
Early sociobiologists insisted that “selection” takes
place only at the level of the gene and the individual organism. David Sloan
Wilson has spear-headed the now largely successful effort to resuscitate the
idea of “group selection” and use it as the basis for a more adequate
understanding of human sociality. In the 1990s, “Evolutionary psychologists” distinguished
themselves from sociobiologists by emphasizing
“proximate mechanisms” that mediate reproductive success, but in constructing
their model of “the adapted mind,” they left out the idea of a flexible general
intelligence. Books such as Kim Sterelny’s Thought in a Hostile World (2003) and
David Geary’s The Origin of Mind (2005)
demonstrate how that deficiency can be corrected. The third major deficiency was
an inadequate appreciation of
“gene-culture co-evolution”—the idea that culture operates in reciprocally
causal ways with the genetically mediated features of human nature. That barrier,
too, is now giving way. Theorists such as Ellen Dissanayake, E. O. Wilson, Brian
Boyd, Tooby and Cosmides, Denis Dutton and I have made increasingly effective
arguments that literature and the other arts are functionally significant
features of human evolution.
I think these three gradual corrections
have finally produced a conceptual framework with the explanatory power of a
true paradigm. Over the next few years, research in evolutionary literary study
will provide a test for this claim. The decisive evidence will be whether we generate
a cumulative body of explanatory principles that are in themselves
simple and general but that nonetheless encompass the particularities and
complexities of literature and the other arts.
Joseph Carroll