Obafemi Awolowo University
Ile-Ife, Nigeria

Tuesday, May 1, 2012

4:00 PM - 6:00 PM

Welcoming Ceremony/Opening Reception

6:00 PM - 8:00 PM

In Our Ghetto
Marcus Hed (24m, Nigeria)

A documentary based on the making of the Kinabuti Show, a Nigerian based fashion label that launched its first collection in December 2010. Kinabuti chose to work with aspiring models from varying communities of Port Harcourt. In the twenty days prior to the event, film director Marcus Werner Hed documented the challenges and daily progress of this major project, placing a special focus on three of the twenty-two participants and aspiring models. By following them on a daily basis as well as interviewing them during and after the, In Our Ghetto, depicts the lives of these three girls who despite their impoverished and challenging backgrounds, continue to fight in order to make their aspirations a reality and become what they dreamt they wanted to be.

Otelo Burning
Sara Blecher (96m, South Africa)

It is 1989 and the struggle against apartheid in South Africa has reached its peak. Based on real events, the documentary tells the powerful story of three Zulu boys, Otelo Buthelezi and his friends, escape from the misery of their own harsh township lives through the joy of surfing. Overcoming his traditional fear of the water, Otelo Buthelezi discovers a natural talent, finding freedom on the waves and a huge potential for change through surfing. But in the turmoil of a country on the cusp of change, he is dragged down into a spiral of jealousy and violence. As Nelson Mandela finally walks free, Otelo must choose between two worlds that will change his life forever.

Wednesday, May 2, 2012

12:00 PM - 2:00 PM

State-Theatre #1 Lagos
Daniel Kötter (24m, Germany)

The National Theatre of Nigeria in Lagos was built for the second World Black and African Festival of Arts and Culture in 1976. It is the only state-subsidized theatre in Nigeria. While its smaller halls are occasionally used for theatre performances, banquets and weddings, the 5000 seat main hall has been deserted since the early 1990s. A reopening was scheduled for 2010 but postponed indefinitely after a series of changes in direction.

Build Something Modern
Nick Gogan (70m, Ireland, Kenya, Nigeria)

Build Something Modern is a touching and revealing film about people and their special relationship with the things they create as they reflect on it many years later. The film tells the little known history of architects in Europe designing hundreds of Modernist buildings for Africa in the 1960s and 70s, without ever going there.

Tengenenge
Jacquelyn Lobel (16m, USA)

Tengenenge is a village of sculpture artists located in a remote region of Zimbabwe. The film explores the history of the village, and reveals a slice of life in Tengenenge, a community that has withstood the odds and continues to survive because of its people's passion, energy and solidarity. Tengenenge is a glimmer of joy and optimism in a country on the brink of collapse.

2:00 PM - 2:30 PM

Discussion Session

3:00 PM - 5:00 PM

Jeans & Martò
Claudia Palazzi, Clio Sozzani (52m, Italy)

Roba comes from a remote Ethiopian village. From the day Roba was born, his path was a matter of tradition. However, his willingness will conduct him toward very surprising destinations and through a series of amazing events: an escape from an arranged marriage, the internal doubts of a young fighter, a terrible drought in the Kerrayu clan's lands, an unexpected journey to Italy, the death of his brother killed in an ethnic conflict, and the coronation of the big dream - achieving the degree. The documentary reveals the complexity of the Ethiopia of the new millennium, constricted between modernity and tradition. Roba's unique and privileged point of view provides a new way of considering a very burning issue of present time.

My Long Distance Friend
Carina Molier (73m, the Netherlands)

OG is a beautiful young woman who has wandered around Europe since she left Zimbabwe at the age of 9. From then on she has struggled to survive, continually seeking a balance in her life. OG strives to regain custody of her daughter taken from her at an early age. Director Carina Molier - her long distance friend - follows her in her quest for reunification and peace of mind. The documentary is about displacement, about longing for security and relationships in an ever globalizing and inhospitable world.

5:00 PM - 5:30 PM

Discussion Session

6:00 PM - 8:30 PM

Indochina: Traces of a Mother (Indochine Sur Les Traces D'une Mere)
Idrissou Mora Kpai (74m, Benin, France)

Between 1946 and 1954, over 60,000 African soldiers were enlisted to fight the Viet Minh. Pitted against one another by circumstances, these two colonized peoples came into contact and a number of African soldiers took Vietnamese women as wives. Out of these unions, numerous mixed-race children were born. At the end of the war, the colonial army ordered that all the black children be repatriated to Africa, officially to protect them from the Viet Minh. While some children left with their mothers and fathers, others were simply taken away by their fathers, leaving their mothers behind. Abandoned in orphanages, those that had neither mother nor father were put up for mass adoption by African officers, as was the case with Christophe. Christophe long avoided facing the scars and identity complexes left by this abrupt separation from his mother and homeland. By encouraging him to undertake a journey into his own past, the film opens a little-known chapter of the Indochina war.

A Lot like You
Eliaichi Kimaro (80m, Tanzania)

Eliaichi Kimaro is a mixed-race, first-generation American who traces her father's footsteps back to a coffee farm on the slopes of Mt. Kilimanjaro. There she discovers both the beauty and the brutality of this world her father left behind 40 years earlier. This film raises questions about the cultures we inherit and the cultures we choose to pass down, and reveals how simply bearing witness to another's suffering can break silences that have lasted lifetimes.

8:30 PM - 9:00 PM

Discussion Session

Thursday, May 3, 2012

12:00 PM - 2:00 PM

The Garifuna Journey
Andrea Leland (46m, USA, Belize)

Genocide, exile, Diaspora and persecution did not break the spirit of the Garifuna people, descendants of African and Carib-Indian ancestors. The Garifuna resisted slavery and fought to maintain their homeland on the island of St. Vincent in the Caribbean. For this love of freedom, they were exiled from St. Vincent to Roatan in Honduras by the British in 1797. Despite exile and subsequent Diaspora, their traditional culture survives today. It is a little known story that deserves its place in the annals of the African Diaspora. In first person Garifuna voices, this documentary presents the history, the language, food, music, dance and spirituality of the Garifuna culture and its link to the Carib-African past.

Jamesie, King of Scratch
Andrea Leland (70m, Virgin Islands, Denmark, USA.)

An engaging and spirited musical journey to the Caribbean, this documentary focuses on Scratch band music, an indigenous, grass-roots form of folk music from the Virgin Islands. 79-year old James Brewster is an uncompromising, humorous, and provocative musician known for his playful compositions and lively performances and is the legendary 'King of Scratch'

2:00 PM - 2:30 PM

Discussion Session

3:00 PM - 5:00 PM

White and Black: Crimes of Color
Jean-François Méan (58m, Tanzania, Canada)

In the East African region ten times more people have albinism than in North America and Europe. In Tanzania and parts of East Africa certain corrupt healers traffic in the body parts of persons with albinism (PWA). They sell them for magical potions and amulets to anyone who will dare to use them and prey upon deep-seated and long-standing prejudices and superstitions. Vicky Ntetema, former BBC Tanzania Bureau Chief, investigates the murders of PWA sweeping the country. She takes us into the lives of those terrorized by this scourge and we experience through their own eyes their fear and their courage.

Sarabah
Maria Luisa Gambale, Gloria Bremer, Steven Lawrence (60m, Senegal, USA)

Rapper, singer and activist, Sister Fa is hero to young women in Senegal and an unstoppable force for social change. A childhood victim of female genital cutting (FGC), she decided to tackle the issue by starting a grassroots campaign, "Education Without Excision," which uses her music and persuasive powers to end the practice. But until 2010 there's one place she had never brought her message - back home to her own village of Thionck Essyl, where she fears rejection. Sarabah follows Sister Fa on this challenging journey, where she speaks out passionately to female elders and students alike, and stages a rousing concert that has the community on its feet. A portrait of an artist as activist, Sarabah shows the extraordinary resilience, passion and creativity of a woman who boldly challenges gender and cultural norms.

5:00 PM - 5:30 PM

Discussion Session

6:00 PM - 8:30 PM

Thembi's Diary
Jisoo Kim (6m, South Africa)

Thembi's Diary is an animation made from a true audio documentary. It is based on an NPR Radio Diaries program which gave out audio recorder to teenagers around the world. One of them was Thembi, a 17 years old South African girl with HIV/AIDS. Although her disease is harsh for a 17 year old, Thembi talks to her virus every morning. With a calm voice she says that as long as it leaves her alone she will do the same.

Body and Soul (De corpo e alma)
Matthieu Bron (54m, Mozambique)

The film tells the stories of three young Mozambicans with physical disabilities, living in the townships of Maputo, Mozambique's capital city, performing dance, the art of the body. The documentary follows the daily lives of these three young Mozambicans and reveals their physical, psychological and emotional challenges. In a world where visual input (physical appearance, clothes, etc.) is a powerful basis for social judgment and positioning, the film tries to explore the way they look at themselves and others as well as raises universal questions about self-acceptance and how to find one's place in society.

The Royal Knowledge
Molteni Francesco (23m, Tanzania, USA)

?Near Arusha (Tanzania), Msei Pete and Mama C, two former Black Panther from the 70's, run the UAACC (United African Alliance Community Center). The Center is founded on the principle of sharing knowledge in order to empower the community. Three years ago, they open an orphanage inside the center to give home to the parentless children of the area. The documentary follows the children at the orphanage exploring and recording their world using video cameras.

Talibe - The Least Favored Children of Senegal
Daniela Kon (57m, Senegal)

The important tradition of Islamic education in Senegal has been left to develop in disturbingly perverted ways. 50,000 koranic students (Talibes), young boys between 4 and 15 years old are subjected to exploitation in conditions akin to slavery. They are forced to beg on the streets by their koranic schoolteachers and suffer severe physical abuse and neglect. Following the staff of local NGO 'La Maison de la Gare' (MDG) during their daily efforts to find solutions for the terrible conditions the boys are subjected to, the documentary sets out on a poetic exploration of the nature and circumstances that breed and prolong the suffering of these children.

8:30 PM - 9:00 PM

Discussion Session

Friday, May 4, 2012

12:00 PM - 2:00 PM

Real Voodoo
Sandra M. Whiteley (52m, Haiti, Canada)

In January 2010, days after Haiti suffered a massive earthquake, evangelical leader Pat Robertson went on air to blame the devastation on Haitians' 'pact with the devil.' He was talking about Voodoo. Was he right? Is Voodoo evil? To find out what Voodoo is, the film makers decided to make many trips to Haiti pre and post-earthquake filming Voodoo ceremonies in public places, sanctuaries, and in the homes of believers. The documentary is about their findings. It is not Pat Robertson's Voodoo, it is rather something else.

The Orishas of Cuba
Leona Anderson (18m, Canada, Cuba)

A partial documentation of the ritual interaction between devotees of Santeria, an Afro-Cuban religion that is flexible and eclectic, and a select group of Orishas in Regla, Cuba. Each of the Orishas is associated with a particular force of nature and each has its own personality, its own rhythm and its own interests. Through prayer, ritual actions and music, santeros (devotees of Santeria) seek to communicate with the divine and maintain the balance of these forces.

Reflection
Roderick Steel (46m, Brazil)

The documentary explores the Egungun cult in the city of São Paulo, Brazil, in a temple founded in the late 60s. Traced back to the first Yoruba slaves transported to Brazil from Nigeria and Dahomey, this ancient form of religion dresses and worships ancestor spirits. In the film High Priest Zú - who works during the day as an upholsterer - shares experiences accumulated over 20 years within a community that has refused to relinquish its own religious identity while observing a strict code of conduct. Zú also offers insights into the fine line between art, craft and religion, and shows us how ancestor worship in the 21st century can help boys become men, reveal future generations of priests, transform the lives of those in need of spiritual and emotional guidance, and bring ancestors back to life.

2:00 PM - 2:30 PM

Discussion Session

3:00 PM - 5:00 PM

Twilight Revelation: Episodes in the Life & Times of Emperor Haile Selassie
Yemane I Demessie (58m, Ethiopia, USA)

The documentary film explores and analyzes watershed events during the reign of the former Ethiopian emperor, Haile Selassie. Using a wealth of archival footage and photographs, the documentary reexamines the imperial administration through the eyes of numerous notable individuals who played substantive roles and worked closely with the emperor. The featured witnesses include former ministers, a general, a state attorney and a judge, parliamentarians, high ranking civil servants and staff from the royal court. It also featured members of the royal family including his grandchildren. The observations and narratives of these individuals shed a new light on the personality, leadership style and the myth behind Ethiopia's last emperor.

400 Miles to Freedom
Avishai Mekonen, Shari Rothfarb Mekonen (60m, USA)

In 1984, the Beta Israel, a secluded 2,500-year-old community of observant Jews in the northern Ethiopian mountains, fled a dictatorship and began a secret and dangerous journey of escape. Co-director Avishai Mekonen, then a 10-year-old boy, was among them. The documentary follows his story as he breaks the 20 year silence around the brutal kidnapping he endured as a child in Sudan during his community's exodus out of Africa, and in so doing explores issues of immigration and racial diversity in Judaism.

5:00 PM - 5:30 PM

Discussion Session

6:00 PM - 8:30 PM

Brother Time
Wesley Shrum (56m, Kenya, USA)

Brother Time is a mythic tale of neighbors from different tribes caught in a wider conflict. Kenya erupted in ethnic violence after the 2007 Presidential election, and the two friends fell apart when, suddenly, it was 'not the brother time.' Filmed in the Rift Valley during the clashes, the roots of tribalism are explored as one who saw the worst of the conflict returns home to see his neighbor. To be released during the 2012 Presidential campaign, this message of hope shows it can be Brother Time once again.

We Win or We Die
Mathew Millan (21m, USA)

February, 2011. The people of Benghazi revolt against the brutal regime of Moammar Gaddafi. Yet standing in the way of liberation is the 2-mile sprawling fortress known as the Katiba. Holding hundreds of soldiers and heavy artillery, it stands poised to rain death down upon the protesters. The film is the story of an ordinary Libyan who understands that there is but one way to stop the bloodshed and one way to gain freedom. The sprawling fortress, the fist of Gaddafi, the Katiba must fall...

Fambul Tok
Sara Terry (82m, USA)

Victims and perpetrators of Sierra Leone's brutal civil war come together for the first time in an unprecedented program of tradition-based truth-telling and forgiveness ceremonies. Through reviving their ancient practice of fambul tok (family talk), Sierra Leoneans are building sustainable peace at the grass-roots level -- succeeding where the international community's post-conflict efforts failed. Filled with lessons for the West, this film explores the depths of a culture that believes that true justice lies in redemption and healing for individuals -- and that forgiveness is the surest path to restoring dignity and building strong communities.

8:30 PM - 9:00 PM

Discussion Session

Saturday, May 5, 2012

12:00 PM - 2:00 PM

Give a Damn?
Dan Parris (92m, USA)

The documentary is about three friends, two Christian idealists and one militant atheist, who agree to attempt to live in extreme poverty, on $1.25 a day, across 3 continents to discover their responsibility to the poor. The story follows them as they leave their homes in St. Louis, hitchhike across the United States, backpack across Europe and travel to Africa. The film takes a devastating turn when two of them survive a deadly plane crash in Africa, and all three must fight in their own way to finish what they started.

The Great Mafia Orange Squeeze
Sophia Luvara (28m, UK)

Italy's Southern region of Calabria behaves like a rogue State. Here, the 'Ndrangheta (Calabrian Mafia) hold sway. They are the de facto Government, the de facto law and, in the countryside, the main employer. Thousands of African Immigrants have found this out the hard way. Quasi legal migrants, coming direct from Africa are drowning to Calabria by the work - harvesting oranges. What awaits them is pure misery and semi-slavery. They become trapped by government bureaucracy and by poverty. Their employers are the Mafia, so they have little course to complain about the level of wages. They cannot leave Italy, they don't have the right papers, yet they cannot join society, because they have not got the right papers. On one night in January this year, two of them were shot by the locals in Rosarno. The mostly young African men rioted in this small backwater town, which is dominated by the Ndrangheta.

2:00 PM - 2:30 PM

Discussion Session

3:00 PM - 5:00 PM

We Want What's Ours (Sifuna Okwethu)
Bernadette Atuahene (19m, USA)

We Want What's Ours is a documentary short filmed in South Africa and is about loss, resistance, identity and the elusiveness of justice as experienced by the Ndolila family in their quest to get back their family land stolen by the apartheid government in 1973. Standing in their way are working class black homeowners who purchased portions of the Ndolila's land in the 1990s. For the homeowners, the land and houses they have legally purchased are a reward for their hard work. For the Ndolilas, the land is part of their family legacy and hence deeply intertwined with their identity. Both sides have a legitimate right to the land, but whose rights will prevail?

The Big Banana
Franck Gilles Brice Hameni Bieleu (85m, Cameroon)

In the coastal region of Cameroon, in Central Africa, a western conglomerate has set up a lucrative exploitation of dessert banana for over 30 years. This lucrative business should normally generate wealth and economic growth for community as well as for the company, instead, the plantation workers barely manage to survive with as low as 40 dollars per month work over 15 hours a day, health issues arise due to the use of toxic chemical product use to treat banana trees, people get expropriated by the state in favor of the almighty big banana company so it can generate billions of profits. People of the Moungo region are failed by their government and their representatives who are bought and paid for by the company.

18 Days
Tarek Abouamin (19m, Egypt)

In an 18-day popular uprising that toppled a decades-long oppressive regime, the people of Egypt rose to change the social and political landscape of the region and the world. Many Egyptians paid with their lives in a fight against corruption and autocracy. They fought bravely for basic civil liberties, justice and freedom from a government that tortured, murdered its citizens, and embezzled billions of public money. Countless people risked their lives to tell the story to the world. This film is made with footage shot by protesters, revolutionaries, and everyday Egyptians.

5:00 PM - 5:30 PM

Discussion Session

6:00 PM - 8:30 PM

These Streets Belong To Us
Shareen Anderson, Lisa Henry (54m, South Africa)

The documentary looks at how ordinary South Africans are coping with the scourge of crime and violence. The film tells of three different Johannesburg communities: Kensington, a middle class suburb that is jolted into action after a street security guard is murdered while on duty; Alexandra, a mostly poor black township that has formed a community policing forum that patrols the streets, lending a helping hand to the overburdened police; and Hillbrow, a densely populated inner city neighborhood, which was a 'no go' zone for police for many years, but is now undergoing massive regeneration. The film is an inspiring look at how neighbors from disparate lives become empowered to stand up and take back their community, with a hopeful vision of the future.

Why Do You Want To See My Face
Iqbal Barkat (9m, Australia)

This short film follows a young refugee as he wanders through his new home in Sydney, Australia. We are privy to his thoughts and reflections - how can he, life uprooted, learn to make small, tentative steps to live again in another land? How does he show his face when everywhere he turns, it is the mark of a problem? Through his soliloquy run themes current to the political and social landscape of Australia - illegal immigrants; who is a 'legitimate' refugee; the obligations that are expected of a refugee or migrant and what does it mean to be Australian. The narrator talks directly to a general fear of the other.

Surfing Soweto
Sara Blecher (85m, South Africa.)

Over the course of the last 3 years Cinga Productions has been following and documenting the lives of three of the most notorious train surfers in Soweto: Bitch Nigga, Lefa and Mzembe. We have followed them on to the top of trains hurtling through Soweto. We have followed them into the heroin dens of Hilbrow, and jails with names like Sun City - all in the hope of understanding their frustrations and documenting the lives of the new generation of youth in Soweto. Surfing Soweto is the story of this forgotten generation.

8:30 PM - 9:00 PM

Discussion Session

Sunday, May 6, 2012

2:00 PM - 4:00 PM

The Story of Lovers Rock
Menelik Shabazz (97m, United Kingdom.)

In the 70s & 80s Britain was rife with racial tension and police harassment against black British youths. These youths were the rebel generation who were also searching for an identity. They created music - a sub-genre of reggae known as Lovers Rock. This music became a global brand through artists like UB40 and Maxi Priest.


Shooting Freetown
Kieran Hanson (29m, UK)

A decade since Sierra Leone's devastating civil war, from the ashes rises a new dawn of creativity in audio-visual media. Inspired by Jean Rouch's 'shared anthropology' and 'ethno-fiction', Shooting Freetown follows three people forging their way in film and music in the nation's capital, facing the constant struggles with vision and resourcefulness. By incorporating collaborative video projects, their stories give a fresh image of post-war Freetown - presented to the world through their own lens.

4:00 PM - 4:30 PM

Discussion Session

5:00 PM - 7:30 PM

The Creators: South Africa through the eyes of its artists
Laura Gamse (81m, South Africa)

Step into the lives of six artists sculpting South Africa's future from the fragments of a tumultuous past. The Creators explores the chaotic reality of modern day South Africa by peering through the eyes of its artists. Born into separate areas of the formerly-segregated country, the individuals reinterpret history in their own artistic languages. Weaving through the lives of Faith47 (street art), Warongx (Afro-blues), Emile (hip-hop), Sweat.X (performance), Blaq Pearl (spoken word) and Mthetho (opera), the film culminates in an intertwined multi-plot. As we grow closer to the individuals, we notice stark differences in their perspectives, exposing an intimate, refreshing, and deeply revealing portrait of those remolding the legacy of apartheid.

Who is Wright
Mike Mo, Kevin D'Angelo (25m, USA)

Step into the daily struggle of a young beat and rap artist from South Philadelphia who fights to keep his dream alive in spite of certain family dilemmas. In documenting the daily life of Julius Wright, a beat artist and MC, the film reveals the unnerving realities with which many young South Philadelphians live. Angered at the world and his position in the gun-battle and drug-riddled environment surrounding him, Julius attempts to find solace in rap beats that he and his peers perform. As "Lyrical God", his rap persona, he strives for acceptance in the local hip-hop community. Music may be Julius' way out. He has the ability to bring people together through his beats; however, he struggles to bring his own family together.

Sunday in Brazzaville (Dimanche a Brazzaville)
Enric Bach (51m, Spain & Congo)

A young radio talk host, Carlos La Menace, unveils in his weekend show three figures of Congo's capital, Brazzaville. The Sapeur Yves Saint Laurent, surrounded by extreme poverty, chooses elegance as a way of life. Cheriff Bakala is not a usual rapper. Finally, Palmas Yaya, Brazzaville's wrestling champion is relying on voodoo to defend its throne in a crucial moment of his life...

7:30 PM - 8:00 PM

Discussion Session

 

 

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